Grasp Theory And History Of Folklore Depicted By Vladimir Propp Depicted In Electronic Format
вроде и интересно, и многое кажется логичным, и в это веришь но чем дальше, тем больше скрипит сова, натаскиваемая на глобус исторического материализма. Un saggio meraviglioso, capace di entrare nel vivo della fiaba e di sviscerarne i più intimi segreti, I continui riferimenti politici sono causati probabilmente dalla paura della censura sovietica, ma ciò non toglie il fascino a quest'opera ricca di significato e di contenuti.
Apprezzatissimo Sencillamente maravilloso. Mágico. Один из важнейших научных трудов в области изучения мифа и сказки. Детальный анализ сюжетных единиц в исторической перспективе даёт представление и глубокой связи сказки с религией и ритуалом, в то же время показывая её принципиальное отличие. Sometimes I feel it is one of the most important books I've ever read, Книгу читала для будущей курсовой работы, так как тема в чемто связана с трудом Проппа а еще по совету Штейнман Марисанны, студентам вшей привет!. Очень чувствуется контраст между этой книгой и Морфологией волшебной сказки, которая, хоть и легко прочиталась, мне совершенно не запомнилась. Эту книгу было искренне интересно читать, и, я думаю, я из нее довольно многое узнала.
А еще это супер книга для того, чтобы пьяным в баре рассказывать интересные факты из нее! Теперь все мои друзья узнают, почему Ивандурак шаман, Баба Яга проводница в мир мертвых, а свадьба в сказках гораздо менее романтична и более страшна, чем может показаться на первый взгляд. Довольно познавательный, но страшно нудный и академический текст! Мысль при этом чистая, ясная. Вм году просто ещё не умели писать научпоп, видимо : Я никогда не читала диссертаций или докторских работ, но почемуто подумалось, что это, наверное, очень похоже. Чтец отличный, прекрасно интонирует. А вот звук записи катастрофически низкий, увы: на улице даже на максимуме в обычных наушниках можно слушать только вдали от дорог, а дома не во время мытья посуды. The Russian folklorist Vladimir Propp published his first book, Morphology of the Folktale, in, Since it was translated to English, in, it has become an international bestseller and is well known as a major theoretical work in oral literature, Now, Anatoly Liberman has selected seven essays and three chapters from his later books which together reveal the full range of Propp's thought in Theory and History of Folklore.
This will help readers see that his work is essentially a theory of narrative, Included are the famous essay by Claude LeviStrauss about Propp and Propp's response to LeviStrauss's Critique,
"This book will give Propp's admirers in the Englishspeaking world a whole new perspective on this distinguished scholar's contribution to folkloristics, Liberman provides the necessary background in terms of Russian/Soviet intellectual and political currents to place Propp's work in a new light, No student of structuralism in folklore can afford to miss Liberman's anthology, " Alan Dundes
Zanimljivo, poučno,
Ali se na kraju više od polovine knjige svelo na prepričavanje ili citiranje odlomaka različitih bajki, Ako ne to, onda bi krenuo zanimljivu temu recimo porijeklo nekog motiva, simbola, . . i onda samo prekine. Navodeći da je to zadatak neke druge naučne discipline, WHY YOU DO THIS TO ME!
Nema veze, Bajke ću zauvijek voljeti. Znala sam da su mračne zahvaljujući necenzurisanoj verziji bajki Braće Grim na kojoj su me naučili čitati sada znam zašto i zbog čega su mračne.
ALI PREVIŠE PREPRIČAVANJA BAJKI, Knjiga se mogla zvati 'Zbornik Afanasijevog zbornika bajki i ostali', Me va a explotar la cabeza
Прекрасное исследование, интересно не только специалисту, но и рядовому читателю, Читала два раза, сделала много открытий для себя в области фольклора. Out of ten how much did I read okay maybe I was skimming by the end this whole thing only to realise after a frustrated google search that Propp's character types are in the volume before this Unfortunately for my brain, it's a ten.
Научный труд, который интересно читать и хочется как можно лучше запомнить основные моменты. Аналитический талант В. Я. Проппа, его выдающиеся способности исследователя и учёного вызывают огромное уважение. Очевидно, предложенные схемы актуальны не только для сказок и мифов, с их помощью можно лучше понять и литературу, и театральные постановки, и фильмы. Propp is the guy who reduced a certain kind of folktale the wondertale to thirtyone plot points that always appear in the same order, though not every one appears in every tale.
This book includes essays and chapters from later books by Propp, It also includes LéviStrauss's essay on Propp and Propp's rejoinder,
The introductory essay is a model of knotty prose and onlypages!, but it's worth reading for a portrait of Soviet scholarship, It also sums up Propp in one marvelous observation: "Not a single joke or verbal twist can be found in his entire published heritage not: even in: the book on laughter Problems of Laughter and the Comic:.
" Непреходна класика в областта на фолклористиката. О, а я ж це в універі вивчала Круто! Надо было прочесть еще в институте. Но после этой книги вся прелесть сказок, конечно, исчезает для читателя, а появляется зато новое занятие: искать в них составные элементы и определять их происхождение, ведь у каждого поворота сюжета есть, как оказалось, конкретная причина его появления. This is one of my favorite books on mythology and folklore, In fact I still don't know
any better book on this subject unfortunately,
Propp wrote the scientific work, and some of it's chapters are a little bit difficult but worth to read, Le radici storiche dei racconti di fate di Vladimir Propp è un compendio ampio e ricco di nozioni in merito ai motivi fiabeschi tutto da studiare, Molto utile per seguire storicamente come la fiaba segue le variazioni di morale e viceversa,
Schema e riassunto su:
sitelink comle Propp is best known, of course, for his Morphology of the Folktale, but this invaluable collection sets that in the broader context of his work over a long and productive career.
His longevity is all the more remarkable given that he was negotiating throughout the lurches of official Stalinist ideological positions, This collection allows the reader to see both the changing limitations imposed on Propp and other scholars nationalist perspectives restricting his discussion of foreign scholarship at one point, for example, and the resultant somewhat tortuous throughline of his thinking as it developed within those constraints.
It is a strength of Anatoly Liberman's 'Introduction' that it brings out both aspects well,
Liberman is less successful in his consideration of Marxism on Propp, because he sees it solely in those state ideological terms, Certainly it is clear that Propp was responding to direct state pressures inevitably, given the realities of Stalinist suppression of scholars elsewhere but he was also drawing something more interesting from it.
The book does allow anglophone scholars to begin picking at those questions, which are important and have not gone away, I'm intrigued by Propp identifying the new development of Soviet folkloristics with Gorky'sspeech to the AllUnion Congress of Soviet Writers, for example, because this had a direct political purpose in the turn towards the Popular Front politics that later folklorists would do well to consider more closely.
The book also contains LéviStrauss's famous critique of Morphology, . . , and the editorial matter is clear and impressive in its exposure of the French scholar's slightly slippery and evasive misrepresentations, Propp's robust response is included in the book, and it is revealing to read that alongside the unjustly injured tone of LéviStrauss's 'Postscript' that followed.
Vladimir Yakovlevich Propp Russian: Владимир Яковлевич ПроппAprilAugustwas a Soviet formalist scholar who analyzed the basic plot components of Russian folk tales to identify their simplest irreducible narrative elements.
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