نیست
کوچولوی من ما در جهنم هستیم. هرگز اشتباهی در کار نیست و هرگز مردم را برای هیچ و پوچ به دوزخ نمی کنند
نمایشنامه خوبی بود. سارتر نشان داد که چگونه مردم جهنم یکدیگر هستند.
گارسن : عجب شوخی ای! نیازی به سیخ نیست: جهنم همان دیگران است.
Το σκηνικο:ενα σαλονι σε στυλ δευτερης αυτοκρατοριας.καναπεδες και ενα τζακι πανω στο οποιο βρισκεται ενας μπρουτζινος μπουστος.
Οι πρωταγωνιστες: δυο γυναικες και ενας αντρας.
Αυτο ειναι η κολαση για τον Σαρτρ. ουτε καζανια, ουτε φωτιες, ουτε "δημιοι". δε θα πω αλλα για αυτο το μικροΜΟΝΟ σε εκταση θεατρικο εργο του μεγιστου Σαρτρ γιατι ετσι θα αφαιρεσω απο τη μαγεια του , γιατι μονο ενα μαγικο εργο μπορει να σε κανει να νιωσεις μεσα σε λιγες σελιδες ακριβως το συναισθημα του να βρίσκεσαι στην κολαση. θα παραθεσω καλυτερα ενα αντιπροσωπευτικο κομματι του εργου:
ΙΝΕΣ:Δεν υπαρχουν σωματικα βασανιστηρια , ετσι δεν ειναι Κι ομως ειμαστε στην κολαση. και δεν προκειται να ρθει κανενας αλλος. κανενας. θα μεινουμε μονοι και οι τρεις μαζι ως την αιωνιοτητα. ετσι δεν ειναικαποιος ομως λειπει απο δω μεσα. ο δημιος . . ε λοιπον εκαναν οικονομια στο προσωπικο. αυτο ειναι ολο. οι πελατες θα εξυπηρετουνται μονοι τους οπως στα αυτοματα εστιατορια . .
ο δημιος ειναι ο καθενας απο μας για τους αλλους δυο.
Ή αλλιως , "L'enfer c'est les autres, " انا لا أستطيع أن أحتمل على الأطلاق فكرة وجود شخص يتوقع مني شيئا
أنت عبارة عن حياتك وليس شيئا آخر
ليس هناك من حاجة إلى حركات النار المشتعلة الجحيم هو الآخرون Two is Company, Three is Hell
Oh my sweet Satan! this is one hell of a play.
This definitely is scariest vision of inferno, and the vision is just too simple:
"You remember all we were told
about the torturechambers, the fire and brimstone, the "burning marl.
" Old wives' tales! There's no need for redhot pokers, Hell isother people!"
And who can be better torturer than brains behind holocausts and AbuGharibs
“As for me, I am mean: that means that I need the suffering of others to exist.
A flame. A flame in their hearts, When I am all alone, I am extinguished, ”
Just as even the bigesst loners among us need some sort of company every once in a while, each one of us need some time alone, all by oneself.
The three characters of the play are struck in a locked room where lights never go off and there is no question of sleeping, The dislikable nature of these people, the uncertainty as to what punishments are to follow and visions of what is being said about them in their absence after their death is enough to create a tension that leads to differences between them, making them each other's nemesis.
But what would you do if you have to live, okay correction, stay forever with two of your foes and none of you can kill each other
You may argue that it is their inability to cooperate which created lead to those quarrels but really, being constantly seen by each other means that sooner or later you should find something to fight about and, unlike while living, once you started fighting you can't have a moment alone or listen to music or something to calm down.
The only item left in the place is a penknife, which is useless except to ensure that these people know how they hate each other by trying to stab eachother.
Perfect. Forget Biblical authors, forget Hindu pundits, forget old wives, forget John Krammer, forget Dante Devil himself needs to take lectures from Sartre,
Also one can't help but love the way Sartre keeps things simple whether it is time moving faster in hell thus cutting drama to one scene or fact that visions from Earth are narrated by character in question instead of showing actual scenes limiting play to only four characters and a single place.
Genuis!
P. S. Now I know from where they got the idea for 'Big Brother',
یه روز چشم هاتو باز می کنی و می بینی توی همین اتاق با همین آدم های دور و برتی اون وقت می فهمی که مردی و بردنت جهنم!
آل پاچینو
سرپیکو
جهنم یعنی دیگران,
ژان پل سارتر
خلوتکده
کمی جهنم
کمی فلسفه
کمی نمایشنامه
کمابیش یقین دارم که آل پاچینو هرگز چنین جمله ای نگفته ولی جمله ی متناسبیه پس چه میشه کرد,