Theater of the Word: Selfhood in the English Morality Play by Julie Paulson


Theater of the Word: Selfhood in the English Morality Play
Title : Theater of the Word: Selfhood in the English Morality Play
Author :
Rating :
ISBN : 0268104611
ISBN-10 : 9780268104610
Format Type : Hardcover
Number of Pages : 240
Publication : Published April 30, 2019

In Theater of the Word: Selfhood in the English Morality Play, Julie Paulson sheds new light on medieval constructions of the self as they emerge from within a deeply sacramental culture. The book examines the medieval morality play, a genre that explicitly addresses the question of what it means to be human and takes up the ritual traditions of confession and penance, long associated with medieval interiority, as its primary subjects.

The morality play is allegorical drama, a "theater of the word," that follows a penitential progression in which an everyman figure falls into sin and is eventually redeemed through penitential ritual. Written during an era of reform when the ritual life of the medieval Church was under scrutiny, the morality plays as a whole insist upon a self that is first and foremost performed--constructed, articulated, and known through ritual and other communal performances that were interwoven into the fabric of medieval life.

This fascinating look at the genre of the morality play will be of keen interest to scholars of medieval drama and to those interested in late medieval culture, sacramentalism, penance and confession, the history of the self, and theater and performance.


Theater of the Word: Selfhood in the English Morality Play Reviews


  • Cassandra

    Read for my Morality Plays grad class, agree with her on almost everything, and looking forward to an awesome class discussion with this as the basis !!! It was clear, easy, and fun to read, and the conclusion that brought Inside Out into conversation with morality plays ??? Fully made me cry.

    Our professor has been asking us to think about morality plays dynamically and personally instead of abstractly and statically, and reading this made an excellent argument for why morality plays can and should be considered that way.

    The only nagging thing keeping it from being 5 stars was that it felt like she hammered home and re-worded her centeal thesis so many times (esp. in the intro) that it got pretty repetitive and grating. But that's maybe more a personal thing.