Get It Now As Lágrimas Amargas De Petra Von Kant Produced By Rainer Werner Fassbinder Available As Bound Copy

Lágrimas Amargas de Petra von Kant é uma peça, levada ao cinema em, escrita e dirigida pelo prolífico Rainer Werner Fassbinder.
Tem um elenco formado exclusivamente por mulheres e desenrolase em casa da protagonista, Petra von Kant, Acompanha a dinâmica das suas complexas relações com outras mulheres, "Sim, mentiste. Nunca esclareceste as coisas entre nós, e isso basta, "



Uma das críticas mais frequentes que li em relação à peça "As Lágrimas Amargas de Petra Von Kant" dizia respeito à forma célere como Karim é introduzida na narrativa e catapultada para a posição de amante de Petra.
Embora concorde com essa espécie de arritmia na acção, diria que esse avançar abrupto e violento acaba por servir a ligação pouco saudável criada entre as duas personagens.
A peça remete para dinâmicas de poder manipulação, subjugação, dominação dentro de uma relação entre duas mulheres e forma um vórtice opressor, claustrofóbico para alguns leitores a crueldade de Karim e o despespero de Petra serão um pouco mais do que emoções ficcionadas.
Recomendase a aproximação e leitura com precaução, Tiene algunas cosas interesantes, pero desde luego no es una obra para ser leída,
La traducción tampoco me ha gustado, Tudo acontece muito rapidamente, o que é bom e mau, Drama Queen! :P Rating:.

The problem I had with this play is how fast the relationship occurred, They were introduced to each other by a mutual friend and were around each other for a couple of minutes before one of them had to leave.
Naturally, they arranged a date for the next evening, which I considered perfectly fine, but

once on a date they started expressing their love for each other and decided to move in together.
Right after that, a brand new act begins in which they seem to be in a middle of a relationship, . .

While the rest of the play was brilliant on its own, the lack of the process of meeting and starting a relationship constructed an emotional barrier between me and the characters that stayed firm all throughout the play.
I could not fully believe Petra in a manner that I viewed her behaviour as overreacting, even attentionseeking, rather than an act of fullon madness caused by desire/love.
I believe that without the first two acts or with the addition of an act or two between their date and the I love you's I would give this playstars, because from the actonwards the dialogue is really captivating, depicting what solitude and unrequited love can do to a woman.


P. S. Maybe the problem, however, lays in the fact that it is a play and hence consists only of dialogues with very few stage directions.
Written to be performed more than to be read, the missing link might be in the silent interaction between the actresses, which cannot be seen in this form.
I am, therefore, very interested in seeing the movie version of this work in order to see if the mentioned problem of the abrupt start of the relationship was taken care of and how.


German film director, screenwriter, and actor, He was one of the most important figures in the New German Cinema, Being one of the most representative of modernism in cinema, he filmed than forty film in hisyears career and also signed scripts and plays that later have been used by others directors.
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