Seize Poésies Drafted By Comte De Lautréamont Format Kindle

I : rejet virulent du romantisme, désir de den finir avec les  pleurnichards  et le malheur, Vision alors réductrice du romantisme, de la puissance allemande, En avouant la lâcheté des romantiques français une très bonne part, mais sans lâcher la puissance du romantisme allemand qui nest pas pleurnichard mais purement passionnel et rempli de volonté, jaurais pu y voir tout de même une pensée qui tente de dépasser le romantisme qui devenait vieux et croulant en.
Dailleurs, les derniers représentants du courant comme Huysmann ont acclamé Lautreamont et ses Chants, Mais Ducasse va proposer davantage un retour aux classiques, il va arrêter la volonté pour revenir aux principes de lordre, la raison, la bienséance et une morale chrétienne acerbe.


Poésie II : même chose au début, mais un aspect très moraliste pour la suite, Mais estce que le plagiat de Pascal et dautres philosophes/moralistes décèle une ironie invisible Je changerai mon commentaire après avoir lu des ouvrages danalyse.
Si on les connaît également sous le titre de Préface à un
livre futur, on chercherait en vain dans ces Poésies
quelque vers que ce soit.
Ecrites quelques mois avant la
mort de leur auteur, elles commettent un renversement
total de l'esprit de révolte qui animait Les Chants de
Maldoror.
Du reste, Isidore Ducasse décide pour leur
publication de jeter le masque de Lautréamont et d'y
apparaitre sous son nom véritable.
Ses Poésies font du
conformisme une voie véritablement nihiliste, L'ironie
outrageante à l'endroit des romantiques et de leur
emphase, le parti pris radical, tel que revendiquer la
nécessité du plagiat, hissent ces considérations d'ordre
poétique au rang de pamphlet férocement subversif.

Sans équivoque mnalgré l'ironie qui guide chacune de
ces considérations d'ordre poétique, sans morale
malgré la sentence définitive, sans mystification
malgré l'apparence de la gageure.
Ducasse recopie La
Bruyère ou bien des Pensées de Pascal, les retourne
comme un gant, en modifie le sens, Ces Poésies
entendent réagir aux "têtes crétinisantes", parmi
lesquelles il s'inclut, Elles sont plurielles,

car elles
doivent être faites de tous et par tous, One of the most cynical books I have ever read,
The French have a knack for this,
The Oxford English dictionary definition of "cynicism" is too poor Wikipedia doesn't help either, The DRAE Royal Spanish Academy Dictionary grasps the concept far better:
Shamelessness in lying or in the defense and practice of vituperable actions or doctrines.


What's a brotha to do after writing a poetical masterpiece Live like a suicidal neurotic Baudelaire, quit literature and work like a dog Rimbaud or write a sensible/utilitarian/pragmatical/bourgeois book of aphorisms, "chants of the good", finally called "Poems" LOL.

One way or another, those aforementioned died after their greatest creations in the case of Lautréamont, sadly, literally speaking good to remember that Baudelaire tried to kill himself at:
sitelink youtube. com/watchvoPT

Poetry must be made by all and not by one,
Alt. Lit. /Twitter poets take that literally, . . oblivious that it comes from a unique poet himself, and from a book in which this hombre/monsieur, whose one and only book was a very dark one, states other "truths" such as.
. . :
I want my poetry to be read by school girls, LOL
A poet must be the most useful person of his tribe What else
A good appreciation of Voltaire's works is preferible to his very own works, naturally! OFC
French masterpieces are prizegiving speeches for schools and academic ones.
OMG
I don't accept evil, Humankind is perfect. Tell me more
I replace melancholy by courage, doubt by certainty, despair by hope, malice by good, complaints by duty, scepticism by faith, sophisms by cool equanimity and pride by modesty.

If learning how to be a poet is unlearning how to live Houellebecq, that brief and borderline selfhelp preface to a book called "Poems" speaks volumes about the joke you are getting into.


P. S. All in all, it is never that simple with cynicism, a far more intellectual and delicate endeavour than irony, and I've noticed this in other French essays: at times let's say aroundthe author is being real Plagiarism is necessary.
It is implied in the idea of progress, It clasps the author's sentence tight, uses his expressions, eliminates a false idea, replaces it with the right idea, he was a century ahead of Barthes, and this aphorism is in tune with Les chants de Maldoror and, of course, even if humouristically, with this very book of plagiarized quotes by Pascal, François de La Rochefoucauld, etc.
, in order to not be so easy to spot, but, yeah, bros amp peaches, he was playing the average potential reader of the book, sorry I imagine the average British or Amerikan falling for it, but not many Southern Europeans.


 ツ/ not really poems, more like a book of inverted maxims, primarily from Pascal and Vauvenargues, I question inverted because in the notes to the Lykiard version, the footnotes are all in French so I am unsure if Lautreamont is plagiarizing them or putting a twist on them I suspect he does both at different times due to one of his maxims being about plagiarisms.
The content of the book ranges from pithy truisms to ramblings that gratuitously namedrop authors, poems, philosophers, and literary and philosophical references left and right redolent of a literary genius that probably had prodromal schizophrenia who wrote Maldoror.
This is probably only worth reading if you really liked Maldoror, Here's this sly little thing more french practice for me and surprisingly close to the old cynicism amp misogyny formula found in Baudelaire's Journaux.
Not so much humanist or atheist as 'antideist' which is perhaps me unravelling needless threads, Lautréamont is a v interesting study of a person though if there's anything to say of him what's up with all these poets who go die at

Comte de Lautréamont French pronunciation: lotʁeaˈmɔ was the pseudonym of Isidore Lucien Ducasse, a Uruguayan born French poet.
Little is known about his life and he wished to leave no memoirs, He died at the age ofin Paris, His only works, Les Chants de Maldoror and Poésies, had a major influence on modern literature, particularly on the Surrealists similarly to Baudelaire and Rimbaud and the Situationists.
Comte de Lautréamont is one of the poètes maudits and a precursor to Surrealism, .