really wish I could give this book a higher rating, I was captured by the blurb and what it promised this story could be, There are too few books out there which feature gender fluidity, so I was looking forward to this one.
Unfortunately I didn't enjoy this as much as I had hoped, There are several reasons why it didn't work for me,
I felt I only got to know Ben and Stan on the surface, There was little going deeper than that, Everything was described, they met, they talked, they exchanged phone numbers, they went on dates, started dating, had sex, moved in together, and hung out with Ben's friends in the band.
There was little about how it all made them feel, It's all so straight forward, nothing challenging the progress of the story, I felt I didn't get to know them, what made them tick, what made them fall in love with each other and so on.
I didn't feel them, It made for a uninteresting read, unfortunately, Ben and Stan's first time having sex felt so bland, I didn't have much emotional connection to them, since I hadn't been privy to their thoughts, I felt I was on the outside looking in, and only reading about them having sex for the first time, but didn't feel them having it.
I really missed that connection,
There were a lot of descriptions of how Stan looked, what he was wearing, what kind of makeup he was wearing, how he did his makeup, his hair, what he was eating and wasn't eating, when he got to work, when he left work and so on.
"With his hair already partly dry, there was no point in trying to make it smooth and straight.
With some moouse and scrunching and his hairdryer on a low heat, he teased rough curls from the unruly strands and let the hairstyle lead the rest of his outfit choices.
Slightly mussed was a look he could do, He mentally picked out tight black jeans, hightop sneakers, and a loose, lowcut tank top, because it was going to be a warm day, he could tell already.
A smoky eyeshadow and sketchy kohl liner, a quick slick of mascara, all on top of his usual base.
. "
I felt like I was getting styling advise, instead of getting to know Stan as a person.
I really wanted to know how he felt about all this, I loved the fact that he dressed differently, like a boy, or a girl, or a mix, but I missed Stan's inner dialogue thoughts behind all the descriptions.
Stan was an interesting character, and had so much potential to be explored, but I never got to know what was going on inside his head, only what he looked like on the outside.
There's also emphasis on different brands of makeup, clothes, shoes, bags and such, Maybe fashion and makeup says a lot about a person, but I don't speak fashion and makeup, so I sometimes felt stupid for not knowing what the big deal was.
I felt like my obliviousness was kinda shoved in my face,
"He rummage in his bagokay, it was more than a bag, it was a Chloé, but he got it on sale and no one needed to knowand handed her a tenpound note.
"
I have no idea what's big about Chloé, It's a bag brand I recon Is it an exclusive and expensive design Why didn't anyone need to know Why was it important for Stan to point this out I'm not interest in brands as you can tell, so descriptions like that made me feel left out.
Why couldn't the brand have been subtly written in to the sentence, like "he rummaged in his Chloé bag, which he had made a great deal on sale" or something like that.
Stan's opinion related to fashion annoyed me when he gave me his opinion of it relating to Ben.
"Stan packed his iPad in his backpack before they lefthis designer, tan leather backpack, not the scrappy thing Ben often usedand pulled it out to entertain himself.
. . "
There's nothing wrong with a scruffy backpack, even though Stan thinks so, When Stan and Ben was discussing transitioning and hormone therapy, which Stan considered at one point in the past, he came off as standoffish and condescending.
I didn't like that at all,
"We Stan and his therapist were talking about the side effects, and I couldn't do it.
"
"Which side effects"
"The puttingonweight ones," Stan said, He grinned up at Ben ruefully, . . "She told me I'd start gaining weight on my hips and ass and chest and that just freaked me out.
I got the prescription and everything, sat there with the box on my lap, wondering what the fuck was going to happen to me.
"
"Are breasts that scary" Ben teased,
"Yes! Especially when they were going to be attached to me, It was the fat aspect of it, I'd spent years trying to control the shape of my body, and I'd been so successful at it.
Those drugs were going to change me, and there wasn't anything I could do about it, All my wishing for a more feminine shape was right there in a white box and my fears stopped me from taking that step.
"
so being a woman equals being fat then Oo
When Stan's anorexia flairs up again, it was very sudden.
From one paragraph to the next he went from being perfectly fine in Stan's way, anyway to being in the hospital fighting for his life.
I really wanted to know how he came to be there! What happened leading up to it
All in all, I felt I was missing a lot.
There was a lot of potential here, I really wished I could have gotten a stronger emotional connection with the characters, I actually ended up loving Ben's friend, Tone, the most, He felt really fleshed out, even though he was "only" a secondary character, I loved the advice he gave, and how important he got to be for both Ben and Stan, and the story all together.
I wish I could have enjoyed Ben and Stan's story more than I did.
It had great potential, but I felt it didn't manage to live up to it's promise, "I can do anything, . . With my beautiful, impossible boy, "
Stan short for Stanislav is a boy, And a girl. He's not transgender he's
gender fluid, He's a feminine man who rocks dresses and high heels and has bins full of makeup, A creative director at a fashion magazine, he turns heads wherever he goes,
Stan is jawdroppingly gorgeous, But beauty can be a curse, Always different, always apart, Stan controls what he can: his body and food,
The Impossible Boy is a tender romance, But it's also a serious exploration of gender identity and eating disorders, Stan is anorexic, his illness a beast lurking in the corners of his mind,
Ben, a bartender and guitarist, is an ordinary bloke with an extraordinary heart, When Ben first sees Stan striding into his bar, he thinks Stan is a "longlegged goddess" but he's not even remotely disappointed when he realizes Stan is a boy.
Ben takes Stan as he is even when Stan tells him he's anorexic, Ben doesn't falter.
"I want all of you, . . I love every part of you, All of it. "
Stan and Ben's relationship is thoughtful and sweet, They take walks in the park and cuddle on the couch, They kiss and make love, Ben is so completely in love with Stan, it shows in every gesture, every moment, Even when Stan falls, Ben doesn't give up,
There is no melodrama in this story, no relationship angst, There's sweetness and humour Ben's band mates are hilarious, But don't think this book is a light read because it's not,
My heart hurt for Stan, who has always struggled so hard to be accepted, whose own mother knew he was starving and didn't say a word.
And it hurt for Ben, trying to keep it all together even as his world is falling apart.
When Stan buys Ben a black "rocker" bunny so Ben has something to hold when Stan's not there, I about cried.
And that bunny comes round, At one point, Stan, who doesn't like to depend on anyone, needs the bunny more than Ben does.
I loved the secondary characters, especially Tone, Ben's friend and band mate who blurts out whatever's on his mind and whose wild beard and sloppy clothes belie a sensitive heart.
Tone even gets into Stan's "yoga malarkey" he's awesome like that,
The Impossible Boy ends with a lovely HEA, a HEA all the more believable because it's not sugarcoated.
We know Stan has a long road ahead of him anorexia is a mental illness it doesn't just go away.
But now Stan isn't alone, He has a support system, He has Tone buying him chocolate, And he has an amazing boyfriend who would do anything for his princess, his imperfectly perfect boy.
Ben pressed a familiar black bunny into Stan's hand,
.
"I don't need him anymore, . . I can hold you tonight, "
"And tomorrow," Stan said,
"And tomorrow. "
Take The Impossible Boy (The Impossible Boy #1) Produced By Anna Martin Listed As Script
Anna Martin