Sigurd Bergmann
Icons provide depictions of God or encounters with the divine that enable reflection and prayer, 'In the Beginning is the Icon' explores the value of these images for a theology of liberation, Iconology, art theory, philosophical aesthetics, art history and anthropology are integrated with rigorous theological reflection to argue that the creation and observation of pictures can have a liberating effect on humanity.
In presenting art from across the world, 'In the Beginning is the Icon' reflects the ethnocentricity of both art and religious studies and offers a new crosscultural approach to the theology of art.
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