Obtain Malevich And Film Developed By Margarita Tupitsyn Shown In Document

Russian painter Kazimir Malevich, unlike other prominent Soviet artists, has not been much considered in discussions of the contributions of the avantgarde to photography and film.
Yet a close examination of theoretical and practical aspects of Malevich's oeuvre not only places him fully in the Soviet postabstract discourse on these media but also, Margarita Tupitsyn argues in this analysis, alters the accepted view of his postSuprematist period.
Exploring Malevich's involvement with film, Tupitsyn draws on littleknown writings about cinema by the artist himself, and many photographs and documents, Malevich's influence onthcentury art extends far more widely than has been claimed for him before, the author concludes, .