book is heavy stuffextremely detailed and meticulous, and not exactly a readcovertocover kind of thing, but when I'm studying Balinese gamelan pieces I keep it within arm's reach to use as a reference.
It's hard for me to imagine a nonBalinese person getting seriously involved with Balinese music without this resource, The Balinese gamelan, with its shimmering tones, breathless pace, and compelling musical language, has long captivated musicians, composers, artists, and travelers.
Here, Michael Tenzer offers a comprehensive and durable study of this sophisticated musical tradition, focusing on the preeminent twentiethcentury genre, gamelan gong kebyar.
Combining the tools of the anthropologist, composer, music theorist, and performer, Tenzer moves fluidly between ethnography and technical discussions of musical composition and structure.
In an approach as intricate as one might expect in studies of Western classical music, Tenzer's rigorous application of music theory and analysis to a nonWestern orchestral genre is wholly original.
Illustrated throughout, the book also includes nearlypages of musical transcription in Western notation that correlate withseparate tracks compiled on
two accompanying compact discs.
The most ambitious work on gamelan since Colin McPhee's classic Music in Bali, this book will interest musicians of all kinds and anyone interested in the art and culture of Southeast Asia, Indonesia, and Bali.
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Gain Gamelan Gong Kebyar: The Art Of Twentieth-Century Balinese Music Prepared By Michael Tenzer Conveyed As Interactive EBook
Michael Tenzer