Procure Screenwriters On Screenwriting Expressed By Joel Engel Represented In Print

a writer I found these interviews to be both fascinating and instructive even though I don't write screenplays yet, Joel Engel asks great questions and the various screenwriters give thoughtful and insightful answers, I highly recommend this to writers and film buffs alike, this is the first book Engel wrote on this subject, i read the second first book, this is definitely a case where he learned a lot from writing the first and applied it to the second, this first collection is very questionandanswer oriented, and he transcribes much of the interview subject's rambling, in contrast, the second book, "oscarwinning screenwriters on screenwriting" is more fluid, written in a narrative form, he shaped the interview after, which made it infinitely more readable,

maybe the subjects were more interesting too, the writers he chose to interview for this first collection were some oldschool hyphenate screen/playwrights, horton foote, ted tally. by contrast, caroline thompson, amy holden jones, richard la gravenese were more interesting, I really enjoyed this book, and found it to be both informative and easy to read, Several of the writers interviewed did not appeal to me personally, and this is the only reason I don't give the book five, I'm fascinated by the similarities and differences in the creative approach, and some of these writers are people I would absolutely love to sit down and have a drink with because they are so clearly brilliant.


As an author looking at ways to break into the screenwriting business, I recommend this book, Before any lights, camera, or action, there's the scriptarguably the most important single element in filmmaking, and Screenwriters on ScreenWriting introduces the men and women responsible for the screenplays that have produced some of the most successful and acclaimed films in Hollywood history.
In each

interview, not only do the writers explore the craft and technique of creating a filmic blueprint, but they recount the colorful tales of coming up in the ranks of the movie business and of bringing their stories to the screen, in a way that only naturalborn storytellers such as themselves can.
These and other screenwriters have garnered the attention of the moviegoing population not only with their words, but with headlines announcing the sales of their scripts for hundreds of thousands and sometimes millions of dollars.
Anyone interested in writing, making, or learning about movies will enjoy reading this fascinating behindthescenes compendium that brings together some of the most prominent and talented screenwriters in modernday filmmaking.
Screenwriters interviewed include:
Bruce Joel Rubin Ghost, Ernest Lehman North by Northwest, Who's Afraid of Virginia Woolf, Amy Holden Jones Indecent Proposal, Ted Tally The Silence of the Lambs, Horton Foote To Kill a Mockingbird, Tender Mercies, Andrew Bergman The InLaws, Caroline Thompson Edward Scissorhands, Richard LaGravenese The Fisher King, and Robert Towne Chinatown, Shampoo.
Couldn't finish it. I wanted to find out more about screenwriting, but all this book was about was talking to different screenwriters and their stories, Now I knew that going in, but the problem with this book was that there wasn't a single goal or piece of advice that I could feel confident following, One writer would say something and the next one would completely disagree with it, I know Engel probably did this to show the different ways different people came into the business, but I just think it would have been smarter to have interviewed writers that could agree on certain advice instead of putting in interviews with completely contrasting advice.
It was pretty boring for me personally, It might have been better if I knew any of the people or more thanof the movies they had written, Just not what I was expecting, or wanted, Some good stuff in here, some bad, I really enjoyed the last interview, Interesting read. Inspired me to finish my screenplay, Not brilliant in any way but not a chore to read, Basically Engel provides stories from screenwriters, like a Sunday profile in the special edition section of the newspaper nothing much more than that, so if you're looking for a how to or secret to screenwriting book this definitely is not the book for you.
More indepth and longer than the Katz bookand a more redoubtable venture, But still, this tends to be nullified by the interviewer's intrusive and somewhat annoying personality, He tends to go for epigrammatic summations most of the subjects thankfully just seemed to ignore him in that mode, Also no indications of laughter or wry expressions or anything like thatat all it reminds me of Brando talking about being misquoted or misinterpreted and Grobel bringing that up"stage directions" in dialogue which are used sparingly in scripts, so.
. . maybe that's why they're leery, But there's a good range of questions and often long, thorough answersso all in all, a good read and info source, And I liked the line from Caroline Thompson about being inspired: "It had come out so easily, it was almost as though I was chasing it, " but Michael Mann especially primus inter pares slings it every which wayfor example: "The whole of a motion picture, if it works, is a consensual dream, It's a relativistic universe that you create, " And I suppose you'd need Einstein himself to unravel that, Some nuggets of wisdom interspersed w/ canned stories of facing down Hollywood idiocy, This one was better than the last, Joel Engel authored or co authored thanbooks including a New York Times bestsellernarrative nonfiction, essays, sports, satire, pop culture, biography, and autobiography, As a journalist for the New York Times and Los Angeles Times, among other papers and periodicals, Engel reported on everything from politics to hot air ballooning, pregnancy to cancer research, pop culture to business.
Engle has also sold several feature film scripts to Hollywood and produced abouthours of cable television, .