Immerse In Hannas Töchter Published By Marianne Fredriksson Presented In EPub
loved this book. The three women spanning such different times were so interesting and the way its written is so engrossing.
ediciones para un libro liosos, de trama insípida y muy clásica, de prosa normalita, del montón, y de personajes ramplones.
No le he encontrada nada reseñable, Es aburrido. Es muy aburrido. Es tan aburrido que estás deseando no acabarlo,ediciones en España De verdad es necesario volcarnos con libros normalitos Niekedy mám pocit, že by naozaj stačilo, aby sme čítali generačné romány, aby sme pochopili ľudí okolo seba.
Anna, Hanna a Johanna je jedna z tých kníh, ktorá postupne odhaľuje traumy života, ktoré sa generačne prenášajú a spôsobujú cyklické traumy ďalším a ďalším potomkom v rodine.
Aj tie najmenšie radosti zostávajú zatemnené, pretože radovať sa rovná sa hriechu, trpieť znamená žiť.
Naozaj výborný román a som rada, že som sa k nemu dostala a dokonca, že som sa k nemu dostala až teraz.
Hanna, in einfachsten Verhältnissen geboren, als der Hunger das Land heimsuchte: mit ihr begann die Geschichte.
. . Johanna, die Tochter, die mit ihrem
Mann das Haus am Meer baute: warum haßte sie die bürgerliche Welt Anna, die Enkelin, die Journalistin: folgt sie den Lebensspuren ihrer Familie, um sich der eigenen Biographie zu versichern Sensibel und kraftvoll zugleich erzählt, einfühlsam und warmherzig: Hannas Töchter spiegelt in drei beeindruckenden Frauenschicksalen ein Jahrhundert schwedischer Geschichte.
Marianne Fredriksson zet in Anna, Hanna en Johanna het verhaal van verschillende vrouwen uit verschillende generaties neer.
Zelf kreeg ik het idee dat het ging om veel meer vrouwen dan de drie in de titel, waardoor het nogal verwarrend werd.
Ook werd iedereen maar weer vernoemd, of hadden verschillende personages toevallig dezelfde naam, en dit bemoeilijkte mijn leesproces nog al.
Dit neemt gelukkig niet weg dat er meerdere mooie momenten en inzichten in de roman stonden.
Ik was met stomheid geslagen toen ik las dat Hanna als zij naar de kerk ging de hoerenknoop moest dragen, omdat zij op haar twaalfde werd verkracht door de zoon des huizes waar ze werkte als dienstmeid.
Wat een voorrecht dat ik mag leven in een tijd waarin misbruikte vrouwen, door in ieder geval een grote groep mensen, als slachtoffer worden gezien in plaats van als uitlokker.
De roman gaf, door een stem te geven aan deze verschillende vrouwen, ook een beeld van de verandering van opvattingen door de jaren heen, waardoor begrip kan worden bewerkstelligd tussen moeder en dochter, oma en kleindochter.
En dat je naast het zijn van moeder, dochter, oma of kleindochter, bovenal toch een vrouw bent.
Hanna, Johanna, and Anna. I could not keep them straight and neither will you, . . pass on this one. I'm still reeling from the depth of this book, Hanna's Daughters is a story of three generations of Swedish women, trying their hardest to find out who they are in a world that never seems to fit them completely.
Hanna, Johanna and Anna grandmother, mother and daughter, their lives winding through Swedish history: war and famine, prosperity and vague pleasures, from a mountain cabin on a lake in the mids to the streets of modern Göteborg.
The narrative is both personal and real, each women's experiences woven through everyone else's and we see each generation from the other's point of view.
I loved this book for its history and the appreciation I've found for Sweden and its past, the class struggles and the people's desire to truly be a land of human rights.
I loved the book for its words an excellent translation that even gives you a sense of the rural dialect of the grandmother's family.
I loved the book for the reality of these women whose relationships are so familiar heartbreaking and poignant.
I didn't love that most of the men seemed either weak or dominating, but I also feel like I understand the characters enough to know why there were together and that the men did have much to offer these strong and struggling women.
At times the chronology and unfamiliar names and geography got confusing, but I eventually felt I belong in this land of water and life.
I wished, sometimes, that their stories had been happier ones, but I think part of my love of this book is that they hard to find a way to work it out, despite their choices and circumstances.
And because their was so much difficulty, their epiphanies and those moments when things finally seemed clear became that much sweeter.
Hanna's Daughters, Marianne Fredriksson
The lives of three generations of Swedish women, Hanna, Johanna, and Anna are chronicled.
Determined to piece together her past, Anna sifts through tattered letters, cracked diaries and old photographs, and the lives of Hanna and Johanna unfold.
Trying to find out who they are in a world that never seems to fit them completely.
تارخ نخستین خوانش: روز سی ام ماه نوامبر سالمیلادی
عنوان: دختران هانا نویسنده: ماریانه فردریکسون مترجم: مهشید میرمعزی مشخصات نشر: تهران روزنهدرص اندازهدر/س. م. شابک:موضوع: داستانهای نویسندگان سوئدی سدهم
داستان سه نسل از زنان سوئدی: هانا یوهانا و آنا است. کتاب دختران هانا اثر هیجان انگیز ماریانه فردریکسون در مورد عشق است و در آن سه مسیر دلنشین زندگى: آنا هانا و یوهانا از وراى صد سال تاریخ سوئد رونویسى شده است. هنگامىکه آنا به دیدار مادر نود ساله اش در آسایشگاه سالمندان مىرود پیرزن دیگر توان سخن گفتن ندارد. آنا غمگین و خشمگین است. مىخواهد پرسشهای بسیارى را بپرسد هنوز آرزو دارد چیزهاى بسیارى در مورد زندگى مادرش: یوهانا و مادربزرگش: هانا بداند. زندگى صد سال پیش در روستا آنگاه که هانا به همراه پسرش راگنار همسر برومان آسیابان مىشود چگونه بوده است چرا او هرگز نتوانست به زندگى در شهر بزرگ گوته بورگ عادت کند احساس مادرش هنگامى که پدرش از دنیا رفت چه بود و چرا او هرگز بر علیه زندگى خانه دارى ملال انگیز خویش نشورید اکنون دیگر یافتن پاسخ برای این پرسشها خیلى دیر است. آنا دختر و نوه به تنهایى به سیر در زندگى مادر و مادربزرگ خویش مىپردازد و با یاری گرفتن از یادداشتهاى آنان روزنی به زندگى پیشینیان و بیش از همه به زندگى خود پیدا مىکند. در انگیزه اش مبنى بر پرسشها از زنانیکه بر زندگى او نقش بسته اند این آرزو نهفته است که رابطه ی مادر و دختر و بویژه ارتباط خودش را با مردان کشف کند. از سفر در زندگى این سه زن چه مىخواستم آیا مىخواستم راه خانه را بیابم ا. شربیانی Pleasant read but I really cannot befriend the whole jumping around from different narrators and narrative styles in this book, it was quite annoying at points and not very well balanced.
Also I did not buy the whole men are horrible but we have to love them anyways red thread, especially Rickard was despicable, betraying her like that in front of their friends while she was pregnant, just utterly repulsive and then it was all her fault because she never listened to him That was supposed to be the already the improvement to the earlier living generations with women getting hit or being outcast.
Somehow I feel like the author wanted to make this point really way to hard and at the same time did simply not convince me.
However it was fun to read and the descriptions of the Swedish cities and landscapes were quite nice.
بیشتر به روحیه ی دخترانه نزدیک بود
In it's original language the title was Anna, Hannah och Johanna, The title in English is a little misleading, as I read Hanna's story and she continued to have one boy after the other, I did find myself wondering when she was going to have time to have girls, especially as she marries a much older man.
In fact Hanna has only daughter, Johanna, the same name as the daughter her husband lost and was still grieving for, from his first marriage.
Johanna would also have one daughter Anna, it she who begins to tell this story, she visits her mother in hospital, desperate to get answers to questions she's left it too late to ask.
She had lost her memory four years ago, then only a few months later her words had disappeared.
She could see and hear, but could name neither objects nor people, so they lost all meaning.
Anna knows she is being demanding like a child, willing her mother to understand and respond, reprimanded by the care staff for upsetting her, for although she can't respond, she is vulnerable to the joys and anxieties of those around her and powerless to prevent the dreams that carry her each night back to the world of her childhood, that place her daughter is trying to penetrate.
Anna finds an old photograph of her grandmother Hanna and recognises similarities she's not been aware of, she remembers her briefly, and asking her mother:
'Why isn't she a proper Gran Whose lap you can sit on and who tells stories
And her mother's voice: 'She's old and tired, Anna.
She's had enough of children, And there was never any time for stories in her life'
The narrative then shifts back to Hanna's childhood, born in, the eldest of a second group of children born, the first four died in the famine of the's.
What the mother learned from the previous deaths was never to get fond of the new child.
And to fear dirt and bad air,
The first half of the book is dedicated to Hanna and life and this is where the novel is at its best, immersed in the struggle of Hanna's early years, its tragic turning point and the situation she must accept as a result.
Circumstances that will become buried deep, that nevertheless leave their impression on how she is in the world.
The midsection zooms in on her granddaughter Anna's adult life, charmed by a man with womanizing tendencies, but of a generation that refuses to accept an unbearable situation, one where women are able to be financially independent and greater decision makers.
Naturally I thought it was love driving me into Donald's arms, In my generation, we were obsessed with a longing for a grand passion, Hanna, you would've understood nothing whatsoever about love of that kind, In your day, love hadn't penetrated from the upper classes to the depths of peasantry,
Finally Johanna's life with her husband Arne, the good fortune that comes into her life, the trials that follow, of a different nature than her mother's, though not so far from her grandmother's though she probably knew nothing of that loss.
The second half of the book was less memorable for me, possibly because Hanna's story created such a strong sense of place and life in that era was full of dramatic events which underpinned the development of the characters.
When the family moves to Goteborg, to the city and its ways, when the automobile arrives and travels shortens distances, life tended to become more uniform, less distinct.
Marianne Fredriksson in the opening pages of the novel reflects on something she learned at school, when Bible studies were still part of the curriculum, that the sins of the fathers are inflicted on children into the third and fourth generations.
She felt that was terribly unjust, primitive and ridiculous, growing up, the first generation to be raised to be 'independent', those who were to take destiny into their own hands.
Then as knowledge developed and understanding of the importance of our social and psychological inheritance grew, those words began to acquire new meaning, and though there were none that spoke about the actions of mothers, here she found it to have more meaning.
We inherit patterns, behaviour and ways of reacting to a much greater extent than we like to admit.
It has not been easy to adapt to so much has been 'forgotten', disappearing into the subconscious when grandparents left farms and countryside where the family had lived for generations.
She goes on to say that ancient patterns are passed on from mothers to daughters, who have daughters.
. . and that perhaps here too we might find some
explanation for why women have found it so difficult to stick up for themselves and make use of the rights an equal society has to offer.
.