Capture Ang Tungkulin Ng Kritisismo Sa Filipinas Produced By Virgilio S. Almario Provided As Digital

aklat na itoy higit na testimonya kaysa metodolohiya at pinakamatagumpay sa a paghahain ng hamon ng musmos na balangkaspansuri ni Almario na tinagurian niyang “Bagong Pormalismong Filipino” sinadyang tatlong problematikong mga terminong supling ng utakpusong na aktitud ni Almario biling manunuri, istoryador pampanitikan, at mambabasa, b rebisyonaryong paglalagom ng kasaysayang pampanitikan lalo ang pagsasasentral niya sa naudlot na dalumatan ng Himagsikang, at c ang paglalansag ni Almario sa kulapol ng Relihiyosidad, Katotohanan pansinin ang malaking titik K at parunggit kaya ito sa tsismispangliterating may kinalaman sa mga Marcos na kinabibilangan niya, at isipkolonyal abay kailangang tumugon ang mga kampyon ng panitikang Filipino sa Ingles, lalo ang malakas na pangangatwiran ni Gemino Abad ukol sa “native clearing” at “writing FROM english” sa aniyay sapinsaping kamalayang Filipino.
Gayumpaman, kawaksi ng disposisyong mapaghamon ang aaminin na rin niya sa kabila ng kahambugang tatakRio Alma na pagkabubot ng kaniyang teorya, kayat tuloy nagiging mapagligoy ang mga pagtatalakay lalo sa wariy nasayang na potensyal ng penomenolohiya niya ng “kagandahan” at labis na eksentriko bagaman alam kong estratehiko na sakdalpagbabasa o “overreading” ng mga sipi bakit hindi pa buong akda! mula sa ibat ibang makatat kritiko.
Sa kabila ng mga kakatwaan ni Almario, esensyal ang pasimulang pagbabaga ng

mga titis ng awtentikong makatayong panunuri, at ipinahahayag ng marubdob na pagsusulat, pamimilosopiya, at panunuri sa wikang Filipino ni Almario ang sinserot masigasig na pagpupumiglas na bigyangkatuturan ang gulagulanit na kamalayang Filipino sukdang maghalosJose E.
Marco ang tinis ng rubdob ni Almario kung minsan, Nilagom ko ang mga aktibidad ko sa nakaraang halostaon sa sanaysay na batayan ng pamagat ng aklat na ito.
Pagkatapos, ang anim na sumunod na sanaysay ay mga dramatisasyon, ilustrasyon, at elaborasyon ng aking mga pangunahing haka.
Mapapansing halos nakatuon ang panahunan ng aking pagtitig sa bandang wakas ng ikasiglo at sa unang hati ng ikasiglo.
Estratehiko para sa akin ang pagpili sa panahong, lalo na sa panitikan ng Katipunan, upang itanghal ang malinaw na pagsasapinsapin ng katutubo, banyagang popular, at banyagang makabago.
Nabigyan ako ng pagkakataon upang ipaliwanag pa ang naturang mga sapin,

Virgilio S. Almario
Pambansang Alagad ng Sining sa Panitikan Virgilio S, Almario, better known by his pen name, Rio Alma, is a Filipino artist, poet, critic, translator, editor, teacher, and cultural manager.
He is a National Artist of the Philippines, Growing up in Bulacan among peasants, Almario sought his education in Manila and completed his degree in A.
B. Political Science at the University of the Philippines, A prolific writer, he spearheaded the second successful modernist movement in Filipino poetry together with Rogelio G.
Mangahas and Lamberto E. Antonio. His earliest pieces of literary criticism were collected in Ang Makata sa Panahon ng Makina, now considered the first book of literary criticism in Filipino.
Later, in the years of martial law, he set aside modernism and formalism an Virgilio S.
Almario, better known by his pen name, Rio Alma, is a Filipino artist, poet, critic, translator, editor, teacher, and cultural manager.
He is a National Artist of the Philippines, Growing up in Bulacan among peasants, Almario sought his education in Manila and completed his degree in A.
B. Political Science at the University of the Philippines, A prolific writer, he spearheaded the second successful modernist movement in Filipino poetry together with Rogelio G.
Mangahas and Lamberto E. Antonio. His earliest pieces of literary criticism were collected in Ang Makata sa Panahon ng Makina, now considered the first book of literary criticism in Filipino.
Later, in the years of martial law, he set aside modernism and formalism and took interest in nationalism, politics and activist movement.
As critic, his critical works deal with the issue of national language, Aside from being a critic, Almario engaged in translating and editing, He has translated the best contemporary poets of the world, He has also translated for theater production the plays of Nick Joaquin, Bertolt Brecht, Euripedes and Maxim Gorki.
Other important translations include the famous works of the Philippines' national hero, José Rizal, namely Noli Me Tangere and El Filibusterismo.
It was deemed as the best translation by the Manila Critics Circle, Almario has been a recipient of numerous awards such as several Palanca Awards, two grand prizes from the Cultural Center of the Philippines, the Makata ng Taon of the Komisyon sa Wikang Filipino, the TOYM for literature, and the Southeast Asia Write Award of Bangkok.
He was an instructor at the Ateneo de Manila University from, He only took his M, A. in Filipino inin the University of the Philippines, In, he was appointed Dean of the College of Arts and Letters in the said university.
In Juneof the same year, he was proclaimed National Artist for Literature, Almario is also the founder and workshop director of the Linangan sa Imahen, Retorika, at Anyo LIRA, an organization of poets who write in Filipino.
Award winning writers and poets such as Roberto and Rebecca Añonuevo, Romulo Baquiran Jr, Michael Coroza, Jerry Gracio, and Vim Nadera are but some of the products of the LIRA workshop.
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